"he bangs his fists against the post, and still insists he sees the ghosts."
The work you see here is an extensive, intimate artistic partnership between LM Fischer and advanced digital technology. The work is passed back and forth over weeks and months from artist to computer, each one adding or subtracting or reinterpreting. The work starts as a sketch, then a rough, then a collage, then gets passed back and forth with edits and re-edits and tweaks until the final version is realized.
None of these places are real, although they appear solid and real at first glance. They cannot be recreated or replicated. Hallucinations are built into the human brain, just as they are with learning models.
Human civilization stands on a precipice of new artistic creation that has stood up and begun to walk on awkward, shuddering legs. These works illustrate the very beginnings of that moment, where artist and technology create together.
many of Levi's works are inspired by Japanese architecture from the Edo period and Chinese imperial architecture, combined with brutalism and sci-fi futurism movements. Others come from inspiration from artists LIKE AVI GANOR, Albert Bierstadt and Olafur eliasson.
Levi enjoys playing with light and color, interior and exterior environments. One of the unifying themes across Levi's work is the focus on water, as water is often considered portals to another world in mythology. Within Levi's work, they represent the potential to cross over, to transform, to cross over into the unknown, and even death.
Levi enjoys playing with light and color, interior and exterior environments. One of the unifying themes across Levi's work is the focus on water, as water is often considered portals to another world in mythology. Within Levi's work, they represent the potential to cross over, to transform, to cross over into the unknown, and even death.